Articles by John F. Allen
ARTICLES ON GENERAL TOPICS OF MOTION PICTURE SOUND
"A" CHAIN PITFALLS.pdf
AFTER TWENTY YEARS OF DIGITAL SOUND IN MOVIE THEATRES, FEW AUDIENCES REALLY GET TO HEAR ITS FULL POTENTIAL Movie Makers Get An A+, Exhibition A C-.pdf
A 70 MM REVIEW.pdf
A FEW NOTES: THE IMPORTANCE OF GAIN STRUCTURE; ÒAÓ CHAIN UPDATE; DOLBY SURROUND EX; AND AN EPILOGUE ON WHY MOVIES ARE NOT TOO LOUD.pdf
A FRUSTRATING REALITY.pdf
A LITTLE MORE CLARITY PLEASE.pdf
A NOTE ON LISTENING.pdf
A FEW PET MYTHS.pdf
DO YOU REALLY EXPECT PEOPLE TO LEAVE THEIR STEREO LIVING ROOMS, GET IN THEIR STEREO CARS AND DRIVE TO A MONO THEATRE?.pdf
DIGITAL SOUND FORMATS WIN ACADEMY RECOGNITION.pdf
HEY HOLLYWOOD, NOT SO LOUD!
HOW LOUD IS LOUD.pdf
HUM AND NOISE PREVENTION IN CINEMA SOUND SYSTEMS.pdf
IRWIN KOSTAL.pdf
KINTEK SCORES WITH MONO ENHANCEMENT.pdf
LIVING WITH COMMERCIALS.pdf
LOW CEILINGS MAKE BAD THEATRES
MOTION PICTURE SOUND LEVELS parts 1 & 2.pdf
QUALITY THEATRE SOUND.pdf
QUALITY.pdf
SO, YOU WANT TO MAKE A MOVIE DO YOU? THE MAKING OF A TRAILER.pdf
SOMETIMES SILVER LININGS MUST BE CREATED, Parts 1 & 2.pdf
THE BIGGEST IMPROVEMENT D-CINEMA BRINGS IS THE SOUND.pdf
THE MYTHICAL "X" CURVE.pdf
THE NEW IE-33 FROM IVIE TECHNOLOGIES.pdf
IS IT TIME TO TOSS THE SPL METERS.pdf
THE SHOWSCAN PROCESS and EUROPEÕS BIGGEST THEATRE SOUND SYSTEM.pdf
THOUGHTS ON EQUALIZATION.pdf
WHY MOVIES ARE NOT TOO LOUD.pdf
WHY WAIT FOR THE FUTURE?.pdf
ZZZZzzzz.pdf
IMMERSIVE SOUND CONSIDERATIONS.pdf